Talk

Tuesday 5 April – Thursday 28 July 2011

Living Fossils: Etchings and mixed media work by Christopher McHugh

Daiwa Foundation Japan House

Organised by the Daiwa Anglo-Japanese Foundation

Living Fossils is a collection of etchings and other work by Christopher McHugh.

 Christopher originally trained as an archaeologist, and he brings to his work an insight intoJapan’s social and material landscape, along with an understanding of the creative impact of chance events.

 The etchings explore the concept of preserving lived experiences in material form, as living fossils. The objects of everyday life inJapan – train tickets, fish at market – are transformed into modern day relics.

 “I am interested in the material traces people leave of their passing through time and space.”

 “Something as seemingly mundane as the stain left by a coffee cup on a table, or the stamp made on a train ticket as one passes through the station gates, are as much material records of life as the fossilized footsteps of early humans in African mud, or the remains of a prehistoric settlement.”

 “These traces, or fossils, all have a unique story to tell and a continually developing life of their own. My works tend to begin as collages that blend everyday imagery and ephemera, exploring this no-man’s land where the present becomes the past and the historical record is made.”

 “I hope that my fossils are imbued with a sense of life, as much as with the passing of something.”

 – Christopher McHugh

About the contributors

Christopher McHugh

Christopher McHugh studied archaeology at Durham and Cambridge, and in 2000 was awarded a Daiwa Bursary to carry out a one-year research project at the International Research Centre for Japanese Studies in Kyoto. He continued this study as a Japanese Government Scholar at Kyoto University. He has had numerous group and solo exhibitions throughout Japan and the UK. Christopher has recently established a business in the North-East of England selling his own work and promoting artistic exchange between Japan and the UK, with Prince’s Trust and Arts Council funding.

Toggle navigation