
Image: Sputniko!, Menstruation Machine - Takashi's Take, 2010. Photography: Rai Royal, courtesy of the artist and SCAI THE BATHHOUSE
TalkMonday 2 June 2014
6:00pm – 7:00pm
Curator Talk: Yuko Hasegawa- Soft Conceptualism and the new generation of Japanese artists
Drinks reception from 7:00pm
13/14 Cornwall Terrace, Outer Circle, London NW1 4QP
Organised by The Daiwa Anglo-Japanese Foundation
The shared attitude of young Japanese artists in the 2000s was to turn elements of their surroundings, such as news, society, culture and nature, into tools that can be freely incorporated into their artwork. In a complex time when it is hard to understand current situations or social structures, this must be the process to form a new reality.
By creating, visualising and intervening in their surroundings, they try to share with the audience their viewpoints and present their own vision of the zeitgeist. Their aim to communicate their hidden thoughts and potential, which has grown stronger since the Fukushima accident, can be defined as “soft conceptualism”.
The topic was introduced by three parts in the talk. The first part will include artists who deliver social statements by their performance through multimedia; Chim↑Pom, Meiro Koizumi, Contact Gonzo and Sputniko!
The second is Lyota Yagi, who attempts to give birth to a new awareness and narrative by combining sound, video, sculpture, picture and text.
The third introduces Kohei Nawa, Junya Ishigami and Rhizomatiks, who feature works that cross over design and art, continuing to incorporate new technology and information into their works, and attempting to highlight a new vision.
About the contributors

Yuko Hasegawa
Yuko Hasegawa is Chief Curator of the Museum of Contemporary Art, Tokyo (MOT) and Professor of the Department of Art Science, Tama Art University in Tokyo. Since 2008, Hasegawa has been a member of the Asian Art Council at the Solomon R. Guggenheim Museum (New York). She is Artistic Director of Inujima Art House Project (2011-present) and Curator for Art Basel in Hong Kong Encounters to be held in May 2014. Her recent projects include BUNNY SMASH– design to touch the world (2013), ARCHITECTURAL ENVIRONMENTS for TOMORROW (2011) at Museum of Contemporary Art Tokyo, and Trans Cool Tokyo (2010-11) at the Singapore Art Museum. Her publications include Modern Women: Women Artists at the Museum of Modern Art, Museum of Modern Art, 2010, pp334-351 and Kazuyo Sejima + Ryue Nishizawa: SANAA, Phaidon Press, 2006.