Events by year: 2016

25 February 2016

Like A Prime Number by Enrico Isamu Oyama

Daiwa Foundation is pleased to present Like A Prime Number, a solo exhibition by Enrico Isamu Oyama.
Oyama is best known for the signature style Quick Turn Structure (QTS): minimal, free-flowing motifs of repetitive lines, developed from the visual language of graffiti culture and contextualized in the realm of contemporary art.
QTS is perceived by the artist as an infinite driving force with its own life; one that inhabits a higher dimension invisible to us. As a mediator, Ōyama temporarily summons QTS into the physical world and captures the fragmented imprints of its unstoppable motion, visualising them on a plethora of surfaces. These include not only physical objects such as walls, canvases and papers, but also digital, conceptual and social platforms such as videos, live performances and collaborations with fashion brands.

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9 February 2016

The Missing Post Office UK by Saya Kubota

The Missing Post Office invites you to post a letter, like a message in a bottle, which will float on the sea of time. A letter to and from anyone, anything, anywhere and at any time, which will one day be washed ashore. This artist talk introduces its temporal UK branch, opened as part of Saya Kubota’s solo exhibition Material Witness. Mr Brian Payne, Missing Post Office UK, will be in conversation with the artist, where they will discuss the letters and postcards received at the UK MPO branch hosted at the Daiwa Anglo-Japanese Foundation.

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8 February 2016

Traditional Pottery of Kyoto: Miyagawa’s Makuzu ceramics

Beautiful ceramic works of pottery from Kyoto have long encapsulated the unique elegance and culture of the former capital city. Join Shinichi Miyagawa as he recounts the history and practice of the Makuzu Miyagawa Kousai family, part of this Kyoto tradition of highly decorative, elegant and refined ceramics. The Miyagawa family have worked as ceramists producing tea ware for both the matcha used in tea ceremony and for regular leaf teas (such as sencha green tea). Miyagawa will be showing a wide variety of his, his father’s and his ancestor’s works from their family kiln in Kyoto, as well as demonstrating some recent creations from the kilns of the Bernard Leach pottery in St Ives.

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1 February 2016

Natsume Soseki’s London: A Literary Odyssey

2016 marks the beginning of two years of anniversary commemorations for Natsume Soseki, the greatest literary figure of modern Japan: 2016 marks the centennial of his death in 1916; and 2017 marks the 150th anniversary of his birth in 1867. Damian Flanagan will show us the boarding houses that Soseki lived in, located in different parts of the city, and introduce us to the people that Soseki met and lived amongst. Join us for a literary odyssey round London like no other, that will make you see the capital through entirely fresh, Sosekian eyes.

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28 January 2016

The Public Opinion Myth: Why Japan retains the Death Penalty

Japan, unbeknownst to many, retains the death penalty, and still executes criminal offenders to this day. The Japanese government’s official justification for preserving the death penalty is that the majority of the public is overwhelming in favour of this method of criminal punishment. Dr Mai Sato will screen a short version of the documentary film, “The Wavering Public? The Death Penalty, Justice and Public Opinion”, which explores what the death penalty means to ordinary citizens living in a retentionist state – one in which much of the practice surrounding the death penalty remains secretive and discreet.

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19 January 2016

Material Witness by Saya Kubota

“Material Witness” presents Saya Kubota’s new bodies of work around memory and physical traces of the past which, although they have seemingly altered in form or even to have disappeared, still persist in the present time and space. From modified paintings to an unusual postal service, they signal what their material existences might have witnessed. The solo exhibition at the Daiwa Anglo-Japanese Foundation will present her two different bodies of works: “Material Witness” and the “Missing Post Office UK”.

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