The Arts, Culture and Society in the UK and Japan

13/14 Cornwall Terrace, Outer Circle (entrance facing Regent's Park), London NW1 4QP

大和日英基金主催

The 2005 seminar series, The Arts, Culture and Society in the UK and Japan, focused upon arts management and arts policy issues in theUK andJapan. It considered a variety of themes relating to the arts worlds in both countries, including funding issues, the role of museums, public and private collecting and awarding achievement in the visual and performing arts. The series juxtaposed different cultural models and compare practice in both countries with a view to sharing experience, debating common problems and solutions and forging new networks.

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19 January 2005

Annual Seminar Series Seminar

British Crafts and Japan

Different cultural perspectives on the crafts and different approaches to the production and collection of craft objects were featured in the presentations and discussions.

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16 February 2005

Annual Seminar Series Seminar

Europe and Asia: Cultural Policy and National Identity

To mark the EU-Japan Year of People-to-People Exchanges, this seminar addressed the subject of cultural policy and national identity. How national image and culture may be projected abroad and how cultural policy is adapted to different overseas contexts were explored from the perspectives of the British Council, the German Embassy and the French Institute. The

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7 April 2005

Annual Seminar Series Seminar

UK-Japan Overtures: Developments and Collaborations in Music

From the introduction of the Western classical tradition to Japan in the Meiji period to the study of Japanese traditional music in the West, the cross-currents of influence have evolved in a range of performance contexts. Music education in Britain has been enriched by the influence of Yamaha and Suzuki methods while Japanese artists and musicians have become central to the international music scene.

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18 May 2005

Annual Seminar Series Seminar

Crossing Boundaries: Art, Design and the Creative Industries

Government policy on the ‘creative industries’ has highlighted the benefits and the potential for wealth and job creation through raising the profile of those industries which have their origin in individual creativity, skill and talent. How that talent may be nurtured and channelled through international contact and exposure represents a challenge for both the UK andJapan

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16 June 2005

Annual Seminar Series Seminar

The Performing Arts: Culture and Practice in the UK and Japan

The touring of international productions, the training of performers in different methods and techniques, and the lessons that are learned, both artistically and culturally, were explored by our speakers and chairperson who have each worked in an international performance context and are involved in ongoing initiatives to encourage and support collaboration in the performing arts.

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21 September 2005

Annual Seminar Series Seminar

Does Heritage Matter? Is the past serving the present in Japan and Europe?

In both Europe and Japan, though, while spending on heritage is at record levels, heritage practitioners are being forced to be innovative in making heritage of relevance to the contemporary world. The speakers considered the justification for public support for heritage projects, the efficacy of heritage policies, and the appropriateness of heritage in contemporary society.

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19 October 2005

Annual Seminar Series Seminar

International Dimensions in Funding for the Arts: the UK and Japan

In examining the experience of museums in both the Uk and Japan, this seminar considered the role of government and business in supporting the arts and looked particularly to the involvement of Japanese newspapers, like the Asahi Shimbun, in sponsoring international exhibitions, both at home and abroad.

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5 December 2005

Annual Seminar Series Seminar

Still Moving: A Sculptor’s Response to Working in Japan - a lecture and discussion by Antony Gormley

Over the last 25 years, Antony Gormley has revitalised the human image in sculpture through a radical investigation of the body as a place of memory and transformation, using his own body as subject, tool and material. Since 1990, he has expanded his concern with the human condition to explore the collective body and the relationship between self and other in large-scale installations like ‘Allotment’, ‘Critical Mass’, ‘Another Place’, and most recently ‘Domain Field’ and ‘Inside Australia’.

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